meMy name is Hudson Lines and I'm on the internet:
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HudsonLines.com | AlvaBProject.com | sound.hudsn | morning gravy

Towers Permanent, Temporary Navy Yard, Brooklyn // golden half, 17.5mm (x2)

Towers Permanent, Temporary

Navy Yard, Brooklyn

// golden half, 17.5mm (x2)

07/29/10 • Comments (View) • 2 notes

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it was an overcast day Reykjavik, Nov 2009 // 35mm film

it was an overcast day

Reykjavik, Nov 2009

// 35mm film

07/28/10 • Comments (View) • 8 notes

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nadyawasylko: Refractions/reflections/colors, captured by Nadya Wasylko. Glittery details shot as plates from my recent beauty test are combined together and animated for your visual enjoyment. Animation by Hudson Lines. 

nadyawasylko:

Refractions/reflections/colors, captured by Nadya Wasylko. Glittery details shot as plates from my recent beauty test are combined together and animated for your visual enjoyment. Animation by Hudson Lines. 

07/28/10 • Comments (View) • 4 notes • Reblogged from nadyawasylko↩

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Coney Island at night. July 2010 // cameraphone see larger

Coney Island at night. July 2010

// cameraphone

see larger

07/17/10 • Comments (View) • 3 notes

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Her work has a quiet beauty about it that makes me feel calm and very appreciative of her exquisite color palate.

Nadya Wasylko

- L’arbitre: The Colorful World of Nadya Wasylko

Well said, I agree!

07/17/10 • Comments (View) • 4 notes • Reblogged from larbitre↩

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This time last year, in Maine edition // Holga, 120mm also, the photograph was included in morning gravy, my Jan. ‘10 exhibit with Rand in Athens.

This time last year, in Maine edition

// Holga, 120mm

also, the photograph was included in morning gravy, my Jan. ‘10 exhibit with Rand in Athens.

07/12/10 • Comments (View) • 8 notes

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Houston Street yesterday in the afternoon sun // cameraphone through Blublocker sunglasses

Houston Street yesterday in the afternoon sun

// cameraphone through Blublocker sunglasses

07/08/10 • Comments (View) • 7 notes

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[Flash 9 is required to listen to audio.]

Lee Perry - City Too Hot

“langorous beats trapped in molasses” said the DJ/poet @alexlines

machinetext:

a bit literal but who can think in this heat. lee perry’s slow, langorous, beat is trapped in molasses. it sounds as hazy as it looks outside. the repitition is trance-like and seems to go on and on, perfect for sitting in a daze in some scarce shade, sipping the local malt, losing time, letting your thoughts slip from daydream to mirage …

07/07/10 • Comments (View) • 10 notes • Reblogged from machinetext↩ • Played 207 times

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Biking through the Brooklyn summer // cameraphone

Biking through the Brooklyn summer

// cameraphone

07/02/10 • Comments (View) • 3 notes

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“Caption: David Reid stands next to the Remember Duane Allman tribute carved in the dirt bank next to Interstate 20 in 1973.” Read more about the 4 college students who made the monument along I-20 outside of Vicksburg, MS. The carving itself lasted for over ten years. (photo via strange-eyes) high-res photo

“Caption: David Reid stands next to the Remember Duane Allman tribute carved in the dirt bank next to Interstate 20 in 1973.”

Read more about the 4 college students who made the monument along I-20 outside of Vicksburg, MS. The carving itself lasted for over ten years.

(photo via strange-eyes)

06/22/10 • Comments (View) • 42 notes • Reblogged from strange-eyes↩

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wash & fold brooklyn, summer // cameraphone 

wash & fold

brooklyn, summer // cameraphone 

06/21/10 • Comments (View) • 8 notes

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Of Brooklyn Summers (2009)

among the contents of summers past: todd p’s Ft. Tilden beach thing; brooklyn bike riding; & concerts in bushwick.

shot on two rolls (100ft) of Super 8mm film // ektachrome 64T

music: blackbird blackbird - summer heart

06/18/10 • Comments (View) • 4 notes

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Ellsworth Kelly. Colors for a Large Wall (1951) Oil on canvas. Sixty-four wood panels, overall: 7’ 10 1/2” x 7’ 10 1/2” (240 x 240 cm). The Museum of Modern Art, New York. Gift of the artist © 2008 Ellsworth Kelly.  A title piece of the 2008 exhibit Color Chart: Reinventing Color, 1950 to Today

Ellsworth Kelly. Colors for a Large Wall (1951)

Oil on canvas. Sixty-four wood panels, overall: 7’ 10 1/2” x 7’ 10 1/2” (240 x 240 cm). The Museum of Modern Art, New York. Gift of the artist © 2008 Ellsworth Kelly. 

A title piece of the 2008 exhibit Color Chart: Reinventing Color, 1950 to Today

06/17/10 • Comments (View) • 2 notes

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Urban Horology, looking through my rear window

music sample: Steve Reich (Pat Metheny) - Electric Counterpoint

48 seconds; view full screen

06/15/10 • Comments (View) • 4 notes

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approaching dusklight in reykjavik.  ever so slowly am i going through photographs from nov 2009 (my flickr)

approaching dusklight in reykjavik. 

ever so slowly am i going through photographs from nov 2009

(my flickr)

06/11/10 • Comments (View) • 5 notes

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